For additional online information and tickets, please visit Formations Masterclasses 2017.
With support from King’s Cultural Institute, in November 2016 Helios Collective and King’s College London’s Music Department co-presented a series of reimagined readings of Purcell’s Dido and Aeneas as Dido and Belinda.
Following on from the success of Formations 2015 – when three new operas were developed over a two-week period by Kasper Holten (director of opera, Royal Opera House), Robert Saxton (composer), Stephen Unwin, (director), Stephen Barlow (artistic director, Buxton Festival), Bettina Bartz (dramaturg), and David Parry (conductor) – Helios Collective returned in 2016 with an extended Formations Masterclass series, hosted by English National Opera and King’s College London.
To bring radically new meaning to a play is a virtue. To bring radically new meaning to a musical score is sacrilege. But why? Why shouldn’t musicians be as creative and interpretative as actors?